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Each portrait has a sense of individuality, yet at the same time, unrivalled sisterhood. Viewing these striking portraits in-person, it is difficult to reconcile their artistry with a culture that persistently devalued the contributions of Black photographers in favour of works from elite perspectives. Whether bedecked in jewellery or adorned in theatrical period costumes, the sitters lock the viewer in confrontation with the artistic and literary representation of Black women throughout history — or lack thereof. Each work takes its title from an Ancient Greek muse, and is accompanied by a poem written by Sulter herself, in which she expresses her views and thoughts on identity and representation of the muses and sitters through a spoken-word, creative style. Her work addresses the fact that Black women have often been relegated to the periphery, or more commonly are not present at all in art historical and literary canons.